from The Celtic Book of the Dead,

by Caitlin Matthews

Book Cover

A sample reading.

This reading is an example of Immram Two: the Homeward Passage.

Michael was undergoing a lot of self-questioning. He had abandoned an artistic career in favour of a more lucrative job. His whole way of life seemed to be in the process of transformation and he wanted to clarify his direction. He drew Barinthus, indicating that he was voyaging from the inmost self to a position of clarification and manifestation of his abilities.
LANDFALL
26 -Island of the Shuttered Door. The homeward voyage for Michael was the use of his talents that he had been keeping to himself. He was modest about his accomplishments, often giving away work rather than accepting money for it. Practical application of his skills seemed paramount.
REALM OF WONDERS
25. Pillar of the Silver Net. This revealed that the root of Michael's transformation had been a profoundly spiritual, as well as vocational, call. He had discovered deeper access to his creative gifts. To some extent, he already had that valuable ability to trust the creative llow of his life.
REALM OF FAIR WOMEN
24. Island of the Rainbow Stream. This showed that Michael lived in true harmony with life, a reward in itself, providing a strong basis upon which he might build his new life-direction. It also hecame clear that the abandonment of his career had been due to the nature of the commissions he had received: he did not want to create what he considered unaesthetic art. Most commercial commissions had been of this nature.
REALM OF GLASS
23. Island of Recognition. Although Michael wanted to succeed creatively, he also had a misplaced modesty that caused him to shy away from the fact that his work might be acclaimed. I urged him to put these doubts aside and to concentrate upon the work that he wanted to do and was able to produce. This seemed to be at the root of the avoidance of his gifts.
REALM OF YOUTH
22. Sea of Mist. Michael's strength lay in working industriously while alone; indeed, he often seemed to produce work when in a state of confusion, and was able to clarify things in his mind this way. It struck me that he might have a talent for helping people by means of creative-arts therapy, and that he needed to work in a secure environment for his creative gifts to operate.
REALM OF TERRORS
28. Island of Berries. It was not surprising to find that Michael held himself back through his desire for obscurity and quietness, but he needed the reality of competition and acclaim. His greatest strength now lay in returning from his period of enforced rest and making a fresh start.
REALM OF HEART'S DESIRE
12. Island of Giant Cattle. Michael's heart's desire was to try a really large enterprise and succeed at it. It was obvious from speaking with him that the scope of his creative ability was ambitious. Perhaps this gave him a sense of 'showing ofr and a subsequent sense of shame that made him discredit his work?
REALM OF MANY COLOURS
10. Island of the Cat. His immediate need was to get down and make a positive start. I suggested that he decide upon some goals, so that he started concentrating his energies purposefully. Caution, too, was necessary.
HARBOUR
9. Island of Fiery Pigs. Michael would come into harbour to the place and at the time most appropriate to him. He would certainly realize his goals and find his whole life renewed if he was able to find the necessary balance. The last two cards reinforced each other, suggesting that he should consider new art projects practically as a means ot earning money, but not neglecting to address the deeper needs of his creativity.




Divination
Archive Library
The Druid Grove